00:00	Piano introduction is very slow and with little rhythmic activity. It creates a mood for the voice to enter in.
00:18	Vaughan enters in a rich lower range. The pianist weaves musical responses around the words but leaves Vaughans voice isolated and expressive.
00:55	Notice how this phrase connects to the next phrase without break (tremendous breath control).
01:37	Bridge; slight increase in tempo.
02:24	Notice the use of repeated words to create a more rhythmic texture.
02:49	Vaughan explores a higher range.
03:08	She soon widens the range even more with dramatic changes from high to low range on a single syllable.
03:34	An expressive melodic line starts in her low range and soars to her upper range. She takes great liberties with the original melody. This kind of jazz improvisation is expected of a jazz vocalist.
03:55	A long note is held while the pianist improvises freely in the accompaniment.
04:06	The pianist continues an active accompaniment as Vaughan returns to a strict statement of the melody.
04:24	Vaughan uses a very small voice, further personalizing the words. This small childlike voice opens soon to her expressive voice.						
04:53	Ending begins with a repeat of the last line of text.
05:23	Vaughan uses the extreme lower part of her range to end the song.
05:48	Ending
06:00	End.
